Main image: A still from “Metamorphose” by Dallas Harvey. In 2000, he was part of the crew of X-Men. In 1997, he appeared in the 1997 Chinese film Red Pirate. Check out more BTS shots on DHFX’s Instagram. When Quan left acting, he enrolled at the University of Southern California to learn filmmaking. “Metamorphose” is currently in production in Vancouver. “I gotta head out to go work on a monster head for the new film,” he says. To him, there’s nothing odd about movies that startle and surprise. He has spectacular film knowledge, citing Guillermo del Toro and David Cronenberg as inspirations, he personally trains everyone on his team, and he even wears his passion – regularly sporting tee shirts featuring films like Killer Klowns from Outer Space and Tales from the Crypt. He lives and loves genre film, and anything weird or bizarre. The passion of everyone involved, and the weirdness of it all.” And this is what I try to do with my films – it bleeds through the lens onto the screen. “There’s something about that I feel resonates with people. We bring practical effects to the film set and let everyone have that experience with them, and everybody gets to join in,” Dallas Harvey says. “People love working with my studio and crew, because we are all very passionate creature makers and like to take our designs to the next level. Harvey’s organic, effects-first approach is incredibly effective, and, ahem, contagious. “And so I kind of work a lot like that, where it kind of just organically happens through designs that start in my sketchbook.” The evolution of the insect in “Metamorphose” by Dallas Harvey. One night I was in the studio and I had been doing designs for it and I was like, ‘I’m just going to start making the 3D version and see where it goes.’ So from those bug sculptures, the film just started to come together. “With ‘Metamorphose,’ I just started sketching the bug design roughly and then just jumped into sculpting the bug on the actor’s face cast. And then from there, I will kind of roll out a basic story. So for me, ideas usually start off in the sketchbook. “Since I was a kid, I’ve always drawn a lot of fantasy monsters and creatures. Harvey designed everything from the 3D models of the alien bug creatures, to the practical silicone puppet, which started as a sketch. As mutations spread quickly, the community of Silver Creek struggles to eradicate it before it can spread further and take the entire planet for its own. After being violently attacked by a creature in the forest, Alex Herrera’s mind and body begin to change as the invasive alien organism takes over. “Metamorphose” is about the fear of invasion and mutation. “I try to build in a sense of realism into the anatomy, even if it’s fantasy or horror.” “So for me, when it comes to body horror, understanding how the body can be damaged or the fear of having these sorts of things happen to you and you’re out of control of it, that’s kind of where I’m coming from when I’m making this sort of stuff,” he says. The film uses data from entomology, medical forensics, and biological virology. He decided to weave that fear into the sci-fi body horror film. Meanwhile, you can preview the changes of adjustments in the upper right "Preview/Editing" at any time.The Surinam Toads helped him understand the minds of people who are triggered by trypophobia, the extreme fear of small holes. You can also double-click on these added elements at any time to modify them. If you want to add audio/sound spectrum, color blocks, etc., you can simply double-click on the blank area of any Overlay line. You can double click on the blank area of Graffiti line to draw anything on the upper right "Preview/Editing" window. You can double click on the blank area of any Text line to input text, or import subtitles to Text line. Third, select a file in the source media bin area, then click the down arrow. Second, right-click on the file you want to edit, and click "Add selected to. There are three ways to add the source medias to Timeline for editing.įirst, you can directly drag and drop them down into suitable Timeline Tracks/Lines. Usually, we put the background elements to the Background line or Video line, put other non-full-screen elements to the Overlay Line, and put the audio file to the audio line. You can simply drag and drop the videos/images down into Video Line or Overlay Line for editing, such as crop, split, cut, rotate, mix, add effects, etc. After imported media files into the program, simply drag and drop them down into the Timeline for editing.
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